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[朱姆沃尔特]口头传承研究方法术语纵谈(7)

http://www.newdu.com 2017-11-07 尹虎彬空间 2009-01-10 19:3 罗斯玛丽·列维·朱 参加讨论

    参考书目:
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    Abrahams,Roger D.,and Alan Dundes.“Riddles.”Dorson,Folklore and Folklife 129—43.
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    Bauman,Richard.Verbal Art as Performance,Prospect Heights:Waveland,1977.
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    ——,ed.Folklore and Folklife:An Introduction.Chicago:U of Chicago P,1972.
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    ——.“The Making and Breaking of Friendship as a Structural Frame. in African Folktales.”The Structural Analysis of Oral Tradition, Ed.P.Maranda and E.Maranda.Philadelphia:U of Pennsylvania P,1971.171—85.
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    ——.ed.Sacred Narrative:Readings in the Theory of Myth.Berkeley:U of California P,1984
    ——.ed.The Study of Folklore.Englewood Cliffs:Prentice.1965.
    ——.“Ways of Studying Folklore.”Our Living Traditions:An Introduction to American Folklore.Ed. T.P.Coffin.new York:Basic,1968.37—46
    Dundes, A1an, and Roger Abrahams.“On Elephantasy and Elephanticide:The Effect of Time and Place.”Psychoanalytic review 56(1969):225—41.Rpt.in Dundes,Cracking 41—54.
    Dundes,Alan,and Robert Georges.“Toward a Structural Definition of the Riddle.”Journal of American Folklore 76(1963):111—18.
    Edmonson,Munro S.The Book of Counsel:The Popol Vuh of Quiche Maya of Guatemala.Berkeley:U of Ca1ifrornia Extension Center for Media and lndependent Learningg,1989.
    Feld,Steven.Sound and Sentiment:Birds,Weeping,Poetics,and Song in Kaluli Expression.Philadelphia:U of Pennsylvania P,1982.
    Foley,John Miles.Immanent Art:From Structure to Meaning in Traditional Oral Epic.Bloomington:Indiana UP,1991
    ——.Oral-Formulaic Theory and Research: An Introduction and Annotated Bibliography. New York: Carland 1992. Updated version at <http://www.missouri.edu/csottime>.
    ——.The Singer of Tales in Performance.Bloomington:Indiana UP,1995
    ——.ed.Teaching Oral Tradition.New York:MLA.
    ——.The Theory of Oral Composition:History and Methodology.Bloomington:Indiana UP,1992.
    ——.Traditional Oral Epic:The Odyssey,Beowulf,and the Serbo-Croation Return Song.Berkeley:U of California P,1993.
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