历史网-历史之家、历史上的今天!

历史网-中国历史之家、历史上的今天、历史朝代顺序表、历史人物故事、看历史、新都网、历史春秋网

当前位置: 首页 > 世界史 > 世界古代中古史 >

当专著不再是媒介:网络时代的历史叙事(6)

http://www.newdu.com 2017-08-28 《学术研究》 [荷]Ann Righey 参加讨论

英文原文发表于:History and Theory,Volume 49,Issue 4,Pages100-117,December 2010.本文中文版由作者授权本刊首发。
    参考文献:
    [1][2][3][4][20]Arthur C. Danto, “Narrative Sentences”, History and Theory, vol.2, no. 2(1962), pp.146-179.
    [5]Martin Kreiswirth, “Merely, Telling Stories? Narrative and Knowledge in the Human Sciences”, Poedtics Today 21, no. 1(2000), pp.293-318. The Narrative Reader, ed. Martin McQuillan, London: Routledge, 2000.Narraive Theory: Critical Concepts in Literary and Culural Studies, ed. Mieke Bal, 4 vols, London: Routledge,2004.Routledge Encyclopedia of Narrative Theory, ed. David Herman, Manfred Jahn, and Marie-Laure Ryan, London: Routledge, 2005.
    [6]Hayden White, “The Value of Narrativity in the Representation of Reality”(1980), in The Content of the Form: Narrative Discourse and Historical Representation, Baltimore: Johns Hopkins University Press, 1987, pp. l-25. Alan Munslow, Narrative and History, London: Palgrave Macmillan, 2007.
    [7]F. R. Ankersmit, “Six Theses on Narrativist Philosophy of History”, in History and Tropology: The Rise and Fall of Metaphor, Berkeley: University of California Press, 1994, pp.33-43. Espen Aarseth, “Genre Trouble: Narrativism and the Art of Simulation”, in First Person: New Media as Story, Performance, and Game, ed. Noah Wardrip-Fruin and Pat Harrigan, Cambridge, MA: MIT Press, 2004, pp. 45-55.
    [8]David Carr, “Narrative Explanation and its Malcontents”, History and Theory, vol. 47(February 2008), pp.19-30.
    [9]Mieke Bal, Travelling Concepts in the Humanities: A Rough Guide, Toronto: University of Toronto Press, 2002. Miede Bal, “Working with Concept”, European Journal of English Studies, vol.13, no. 1(2009), pp.13-23.
    [10]Miede Bal, “Working with Concept”, European Journal of English Studies, vol.13, no. 1(2009), pp.13-13.
    [11]Ann Rigney, “Narrativity and Historical Representation”, Peotics Today, vol.12, no.3(1991), pp.591-605.
    [12]Stephen Greenblatt, Shakespearean Negotiations: The Circulation of Social Energy in Renaissance England, Oxford: Clarendon Press, 1988. Stephen Greenblatt, “Culture”, in Critical Terms for Literary Study, ed. Frank Lentricchia and Thomas McLaughlim, Chicago: University of Chicago Press, 1995, pp.225-232.
    [13]Marshall McLuhan, The Gutenberg Galaxy: The Making of Typographic Man(1962),New York: Signet, 1969.
    [14]Henry Jenkins, Convergence Culture: Where Old and New Media Collide, New York: New York University Press, 2006.
    [15]Marshall McLuhan, Understanding Media: The Extensions of Man, New York: McGraw Hill, 1964. Martin Lister et al., New Media: A Critical Introduction, London: Routledge, 2003, pp.73-92.
    [16]Carolyn Marvin, When Old Technologies Were New: Thinking about Electrical Communication in the Late Nineteenth Century, Oxford: Oxford University Press, 1988.
    [17]Roman Jakobson, “On Realism in Art”(1921), in Language in Literature, ed. Krystyna Pomorska and Stephen Rudy, Cambridge, MA: Belknap Press, 1987, pp. 19-27.
    [18]Lisa Gitelman, Always Already New: Media, History, and the Date of Culture, Cambridge, MA: MIT Press, 2006. Friedirch A. Kittler, Gramophone, Film, Typewriter, transl. Geoffrey Winthrop-Young and Michael Wutz(1986), Stanford: Stanford University Press, 1999.
    [19]Ann Rigney, The Rhetoric of Historical Representation: Three Narrative Histories of the French Revolution, Cambridge, UK: Cambridge University Press, 1990, pp. 28-62.
    [21]Vivian Sobchack, The Persistence of History: Cinema, Television and the Modern Event, London: Rouledge, 1995. Natalie Zemon Davis, Slawes on Screen: Film and Historical Vision, Cambridge, MA: Harvard University Press, 2002.
    [22]Alan Munslow, Narrative and History, London: Palgrave Macmillan, 2007.
    [23]Ann Rigney, Imperfect Histories: The Elusive Past and the Legacy of Romantic Historicism, Ithaca, NY: Cornell University Press, 2001, pp. 59-98.
    [24]Hayden White, “Historiography and Historiophoty”, American Historical Review, vol. 93, no.5(1988), pp.1193-1199.
    [25]Narrative across Media: The Language of Storytelling, ed. Marie-Laure Ryan, Lincoln, NB: University of Nebraska Press, 2004.
    [26]Monika Fludernik, Towards a Natural Narratology, London: Routledge, 1996.
    [27]The New Media Reader, ed. Noah Wardrip-Fruin and Nick Montfort, Cambridge, MA: MIT Press, 2003, pp. 147-189.
    [28]Game Handbook, ed. Joost Raessens and Jeffrey Goldstein, Cambridge, MA: MIT Press, 2005.
    [29]Marie-Laure Ryan, Narrative as Virtual Reality: Immersion and Interactivity in Literature and Electronic Media, Baltimore: Johns Hopkins University Press, 2001.Marie-Laure Ryan, Avatars of Story, Minneapolis: University of Minnesota Press, 2006.
    [30]Wolfgang Iser, Der Akt des Lesens: Theorie asthetischer Wirking, Munich: Wilhelm Fink, 1976.
    

(责任编辑:admin)
织梦二维码生成器
顶一下
(0)
0%
踩一下
(0)
0%
------分隔线----------------------------
栏目列表
历史人物
历史学
历史故事
中国史
中国古代史
世界史
中国近代史
考古学
中国现代史
神话故事
民族学
世界历史
军史
佛教故事
文史百科
野史秘闻
历史解密
民间说史
历史名人
老照片