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[朝戈金弗里]口头诗学五题:四大传统的比较研究(25)

http://www.newdu.com 2017-11-07 《东方文学研究集刊》( [中]朝戈金 [美]弗 参加讨论

    引证书目
    Bessinger, Jess B., Jr.   1978    Ed., A Concordance to the Anglo-Saxon Poetic Records. Programmed by Philip H. Smith. Ithaca: Cornell University Press.
    朝戈金              2000    《口传史诗诗学:冉皮勒〈江格尔〉程式句法研究》,广西人民出版社,南宁。
    Davies, Malcolm      1989    The Epic Cycle. Bristol: Bristol Classical Press.
    Foley, John Miles      1985   Oral-Formulaic Theory and Research: An Introduction and Annotated Bibliography. New York: Garland. Available online in searchable format with updates at www.oraltradition.org.
    _______            1988    The Theory of Oral Composition: History and Methodology. Bloomington: Indiana University Press. Reprinted 1992. (朝戈金译《口头诗学:帕里-洛德理论》,社会科学文献出版社,1999年,北京)
    _______            1990    Traditional Oral Epic: The Odyssey, Beowulf, and the Serbo-Croatian Return Song. Berkeley and Los Angeles: University of California Press. Reprinted 1993.
    _______            1991    Immanent Art: From Structure to Meaning in Traditional Oral Epic. Bloomington: Indiana University Press.
    _______            1995   The Singer of Tales in Performance. Bloomington: Indiana University Press.
    _______             1999a. “Epic Cycles and Epic Traditions,” in Euphrosyne: Studies in Ancient Epic and its Legacy in Honor of Dimitris N. Maronitis. Stuttgart: Franz Steiner. Pp. 99-108.
    _______             1999b   Homer’s Traditional Art. University Park: Pennsylvania State University Press.
    _______            2002    How to Read an Oral Poem. Urbana: University of Illinois Press. With web-page companion at www.oraltradition.org.
    _______             2003    Ed., The Wedding of Mustajbey’s Son Bećirbey, by Halil Bajgorić. Folklore Fellows Communications. Helsinki: Suomalainen Tiedeakatemia.
    Harris, Joseph,
    and Karl Reichl       1997    Eds., Prosimetrum: Crosscultural Perspectives on Narrative in Prose and Verse. London: D. S. Brewer.
    Honko, Lauri        1998    Textualising the Siri Epic. Folklore Fellows Communications, 264. Helsinki: Suomalainen Tiedeakatemia.
    _______           2000    Textualization of Oral Epics. Berlin: Mouton De Gruyter.
    _______            1998a.  with Chinnappa Gowda, Anneli Honko, and Viveka Rai. The Siri Epic as Performed by Gopala Naika. Part I. Folklore Fellows Communications, 265. Helsinki: Suomalainen Tiedeakatemia.
    _______            1998b   The Siri Epic as Performed by Gopala Naika. Part II. Folklore Fellows Communications, 266. Helsinki: Suomalainen Tiedeakatemia.
    Hymes, Dell        1989   “Ways of Speaking,” in Explorations in the Ethnography of Speaking, 2nd ed. by Richard Bauman and Joel Sherzer. Cambridge: Cambridge University Press. Pp. 433-51, 473-74.
    Karadžić, Vuk Stefanović 1841-62  Srpske narodne pjesme. Vienna. Reprinted Belgrade: Nolit, 1975.
    Krapp, George Philip, 
    and E. V. K. Dobbie. 1931-53   Eds., The Anglo-Saxon Poetic Records. 6 vols. New York: Columbia University         Press.
    Lord, Albert B.      1960      The Singer of Tales. Cambridge, Mass.: Harvard University Press. Second ed. by Stephen Mitchell and Gregory Nagy, 2000.
    Monro, David B.     
    and Thomas W. Allen 1969     Homeri Opera. 3rd ed. 4 vols. Oxford: Clarendon Press.
    Parry, Milman      1971      The Making of Homeric Verse: The Collected Papers of Milman Parry. Oxford: Clarendon Press.
    仁钦道尔吉        1999    《江格尔论》,内蒙古大学出版社,呼和浩特。
    SCHS             1953      Serbo-Croatian Heroic Songs (Srpskohrvatske junačke pjesme). Collected, ed., and trans. by Mlman Parry, Albert B. Lord, and David E. Bynum. Cambridge, Mass.: Harvard University Press and Belgrade: Serbian Academy of Sciences.
    Vladimirtsov, B.Ya. 1983-84   “The Oirat-Mongolian Heroic Epic,” trans. John Krueger, Mongolian Studies, 8.
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